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These traditions, both secular and sacred, have grown independently over generations leading to second line parades for leisure purposes and festivals.

She has received numerous awards, scholarships, and publications for her work.

The exhibition and programming are sponsored in part by grants from the Illinois Arts Council Agency and Alice and Fannie Fell Trust—awarded to both University Galleries and Normal Editions.

Jessica is married to Zach Bingham, also a seasoned Realtor with The Pugh Group, and has two beautiful children.

Comprised of installation, assemblage, photographs, drawings, and found objects, this exhibition is the most comprehensive for the artist to date.

He studied graphic design at Parkland College in Champaign and Chaffey College in Rancho Cucamonga, California.

Links are provided for reference only and MyLife.

Through reflecting on personal memories, seasons of loss and love, growth and despair, both artists are individually and simultaneously making work about the ephemerality and delicacy that we call life.

As author Richard Brent Turner points out in Jazz Religion, the Second Line, and Black New Orleans: After Hurricane Katrina, second lining and jazz funerals are tied to Haitian and West and Central African diasporic religious practices and music traditions.

The definitions of each are below.